Heidi Gledhill wearing a black shirt and jeans sits on a white couch in a room with plants.

Heidi Gledhill is a Theatre Director and Intimacy Director/ Coordinator working in Brisbane, Sydney, Melbourne and the Gold Coast.

Intimate stories, universal themes. Sensual, physical, consent-based. Playful, collaborative, innovative.

Heidi ignites spaces where artists thrive, crafting stories that seduce, sting, and soothe – always in collaboration with exceptional talent.

With theatre training and experience spanning London, Rome, Sydney, and Brisbane, Heidi infuses intimacy and direction with a global touch. She celebrates the human experience—boldly, and with deep care.

Three women collaborate at a table with a tablet, laptop, and documents.

Theatre Director

“The sweat is real. The risk is real. To fail in front of you, our audience, is frightening. To celebrate with you, our audience, is joyous. We know we are only complete with your presence. Relationships are everything to us. Collaboration is our alchemy.” Heidi Gledhill – Director

Heidi Gledhill, Queensland based award- winning theatre director, has worked both nationally and internationally in theatre over the last 25 years. Heidi trained in Italy under Nobel Prize winner, Dario Fo and in London with Frantic Assembly after completing her honours in theatre at Macquarie University in Sydney.

Heidi also holds a Masters in Arts Management (UTS, Sydney) and is a lecturer at Australian Performing Arts Conservatory in Theatre.

Two people embracing intimately with foreheads touching on a dimly lit stage.

Intimacy Direction & Coordination

Choreographing intimate scenes with care and nuance.

Heidi trained with Alicia Rodis and Claire Warden in the United States, certified with Intimacy Directors and Coordinators.

She prioritises storytelling that is both compelling and safe. As an Intimacy Director (for theatre) and Intimacy Coordinator (for film and TV), she ensures that scenes involving intimacy, nudity, or sensitive content are approached with professionalism, respect, and clear communication.

  • Choreography & Staging – Creating dynamic and authentic intimacy scenes while maintaining actor safety.

    Consent-Based Practices – Implementing clear boundaries and best practices for performers and creatives.

    Risk Mitigation – Addressing physical and emotional safety concerns to ensure a positive work environment.

    On-Set & Rehearsal Support – Providing hands-on guidance during rehearsals and filming to maintain artistic integrity and actor well-being.

Let’s craft bold, honest, and safe performances.

“Actors start feeling comfortable, supported and safe. They can drop into themselves. Slowly, as the story starts to slip into their bodies, they feel safe to really connect in new ways.”

– Heidi Gledhill

  • ‘Speaking in Tongues' is a masterclass in storytelling, layered dialogue, and human complexity. This Australian gem, known for its film adaptation Lantana, delves into the messiness of relationships and the blurred boundaries of trust and betrayal. Performed at Ad Astra under the direction of Heidi Gledhill, the production provides an immersive journey that requires focus and rewards the audience with an intricate tapestry of characters, plots, and emotions.’ It’s a play that invites introspection, and Gledhill’s direction ensures that every emotional beat hits its mark. 'Speaking in Tongues' is among the most engaging plays I’ve experience this year. It excels in subtlety, with performances that leave you reflecting on the fragile threads that bind us all.

    Stage Buzz Brisbane | Read Review Here

  • “Directed by Heidi Gledhill, The Hive Collective's premier production set the bar high for its future works. From Gledhill’s direction, to the poetic flavours of the text and the extraordinary performances by its two actors; the play moved, delighted and soared into the hearts of all audience members. The prose is heavenly. The direction is divine. The acting is extraordinary. If you don't see this production, you will be kicking yourself. Or I will kick you. Figuratively of course, but the thought still applies. Bravo, Heidi Gledhill and the cast and creative team of The Bull, The Moon & The Coronet of Stars.

    Virag Dombay, Broadway World | Read full review

  • Director, Heidi Gledhill has a cast of four very competent, diverse and experienced actors, who play nine roles. The four leads are well supported by the team of creatives lead by Stage manager Isabel Folland, who have all collaborated to create and highlight the special scenarios, atmosphere and nuance in each role.

    Lilian Harrington - Absolute Theatre | Read Review Here

  • "As a production and ensemble, Room to Play’s work is sharp, polished and engaging. Scenes are prone to making patrons shift uncomfortably in their seats - a nod to the commitment of all on stage and during the creative process. Director, Heidi Gledhill, utilises the space with conviction. The actors are pushed to their limits to create a dark and comical fantasy that is relevant to current political and societal issues. Heidi has orchestrated action that superbly bounces around the stage and justifies her choices in movement by a character’s intent – it’s quite hypnotic to watch.

    Eric Scott, Absolute Theatre | Read Review Here

  • "Director Heidi Gledhill honoured the farcical style and took it even further. The pace was tight, the punchlines were on point and this farce was done well, especially with a satisfying 60-minute run time. Movement, in particular, was a highlight of the show as the characters were always in action and on edge. True to Fo’s commedia dell’arte roots, the physical exaggerations of the characters ensured there was never a dull moment."

    Lachlan Driscoll, Theatre Haus | Read full review

  • "Presented by Room to Play and directed by Heidi Gledhill, I Am King. I Am Queen is an intimate night at the theatre in which Roymata Holmes shared stories of his childhood leading up to his adulthood. These stories aren't always uplifting; some are filled with pain, longing and heartbreak. We follow his search to find himself, his sexuality and his calling in this world. The audience is left cheering, giggling and wanting more. They're left yearning for more pieces of the puzzle, more facets of Holmes life that we've yet to explore."

    Virag Dombay, Broadway World | Read full review

Work with a Brisbane Intimacy Director

Consent-driven storytelling isn’t just a bonus —
it’s the secret ingredient to fearless performances.

Heidi can provide choreography for intimacy, guidance on boundaries, and a professional presence to make sure everyone feels safe and empowered.

Let’s collaborate and create magic—without the guesswork.

Two women kissing on stage during a theater performance, one wearing a green robe and the other a yellow T-shirt and blue jeans. A wine bottle and blanket are in the foreground.
Two women sitting indoors, one wearing a green cap and gray t-shirt.
A black and white photo of a smiling couple dancing, with the man wearing a shirt and the woman in a sleeveless top, both posing with arms raised.
Three people smiling in a dimly lit room with cables and equipment in the background.
Group of people in a rehearsal or acting workshop, performing dynamic movements in a room with chairs and a table in the background.